Advanced Jewelry Dior latest series of King and Queen

10 Kings, 10 Queens, Dior Joaillerie senior jewelry designer Victoire de Castellane at Dior fine jewelry in 2009 a new series, with eye-catching rare gem supreme symbol of their distinguished status, construct a fascinating land of mystery.

20 global unique jewelry designer Victoire from the fantasy kingdom of 10, 10 on the royal couple in the skilled designers, under the modern re-meet, put on Chinese clothes, hand in hand to launch their daring adventure without beam journey. As if a new life, the mysterious land of the king of Queen set aside the yoke of nobility conferred upon them by the king had an amazing illusion and pendants, the Queen had become a dazzling ring.

“Reines et Rois” series with skull shape interpretation, inspired by Baroque brilliant, gorgeous decorative style similar metaphor is intended by skull treasure a good time to remind people to fleeting time marched on. Victoire de Castellane has carefully selected a mysterious and spiritual gems, together with sculptor nature’s intricate process to create pairs of ornate skull. A rare gem for each has its historical significance and their story: Cat’s Eye stone is used in the Middle Ages as a religious holy ornament, jade is the treatment of eye diseases in ancient amulet, jade is said to be useful of the kidney.

In order to make their creative gallop, breaking the cycle of bondage, Victoire de Castellane to the creation of this luxury set a rule: only works on the use of platinum and diamonds. King and Queen’s body hair, crown, fold lapel, necklaces and pendants staggered in refined platinum nets. Network needs to make Platinum countless mosaic techniques, which even some studio re-excavated the ancient technology; In addition, they need to collect a lot of diamonds, and a variety of techniques for carving and shaping, combined with translucent and silver , match pearl colorful light.

Diamond and platinum these stunning royal meet again, modeling is just like Shakespeare in the play “Hamlet” describes the ghost of “The Spectre”. “Reines et Rois” series will be in London, Monaco, the Middle East, Russia, Japan, China, Hong Kong and Taiwan on display.

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Miss Dior Cherie Perfume

Dior’s perfume has been the permanent pursuit of man and woman since it launched its first bottle of Miss Dior women‘s perfume in 1947, after while the world-famous New Look was just launched. It is said exactly as Dior “The emergency of the perfume of Miss Dior is precisely to let the enchanting woman tinge linger over the body of every woman just like my design-fashionable dress-emanating from the bottle.”

This bottle of perfume with fashionable dress in the bottle is rovided with all the spirits of New Look: a crystal bottle with elegant outline where a plover pattern appears and a bowknot is tied at the bottleneck, just like an elegant and well-bred woman; and its nuance is free from the gloomy and strong atmosphere of the ancient perfume, and its initiated bright and agile fragrance scatters a clear atmosphere into the tedious society after war. Nowadays, Miss Dior is still adorned by many women.

Though the luxury industry was heavily influenced under the economic doom, Dior still occupies a larger market share. Maybe as someone said the luxury can inspire the creation of adventure and overthrowing tradition, and on the other hand, the basic task is ignored that is to provide the most beautiful, impressive and humanized products for people. As a brand connecting eternal luxury and the modern splendidness, Dior re-definite the luxury with the style of J‘adore, which is renewing personality and magnificence without immolating freedom, abandoning the fetter of the substance, and releasing spirit, and responding the world in the most brilliant way. We wish Dior perfume can go for all common people.

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Fashion in 1950s-Dior’s New Look

In 1947, Christian Dior presented a fashion look with a fitted jacket with a nipped in waist and full calf length skirt.  It was a dramatic change from wartime austerity styles and named as New Look. Dior’s lavish use of material was a bold and shocking stroke. His style used yards and yards of fabric. The New Look collection violated all the rules of wartime fashion: his outfits had rounded shoulders; full, billowing skirts; and a narrow waist. The dresses were lined with expensive and luxurious fabrics such as cambric or taffeta and were beautifully detailed. Outfits were accessorized with a hat, often worn to one side, long gloves, and simple jewelry. As Valerie Steele wrote in Fifty Years of Fashion: New Look to Now: “The longing for elegance and luxury had been suppressed for the years of the war, and the New Look promised to gratify it.” As Dior described it when the clothing line was introduced, the New Look was “symbolic of youth and the future.”

Dior’s New Look clothes at that time were widely adorned by upper class people, but many critics scolded the designer for ignoring the continued rationing and the economic distress of the war years. They complained that manufacturers didn’t have enough cloth to make Dior’s full skirts and that women didn’t have enough money to buy them. One British politician claimed that the longer skirt was the “ridiculous whim of idle people,” while protestors in Paris called out, “40,000 francs for a dress and our children have no milk,” according to Nigel Cawthorne, author of The New Look: The Dior Revolution. But women and other designers disagreed. The first women to see the designs at Paris fashion shows raved that femininity had returned to women’s clothes. Designers imitated Dior’s look for their collections and quickly produced ready-to-wear New Look-inspired clothing lines. The New Look killed off the utility clothing of the war years and ushered in a new era in fashion. By 1948 the New Look was the dominant fashion in Paris, France; London, England; and New York, and it continued to be popular for several years.

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